I cut a film in AVID that was shot on super16. The poor director just got shocked with a huge $25k quote to scan his film!
I’m wondering if anyone in LA would be willing to let us come and test scan one roll to see if he can go with kinograph as an alternative to get his film into color grading.
If it works it would either be we build one… or we rent one from one of you fine builders.
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